Social Context of James Ensor’s Art Practice by Susan M. Canning(.PDF)
File Size: 55.6 MB
The Social Context of James Ensor’s Art Practice Susan M. Canning
Requirements: .PDF reader, 55.6mb
Overview: “Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor’s monumental painting Christ’s Entry into Brussels in 1889, stood as a visual manifesto and call to action by the Belgian artist (1860-1949) who saw his art as central to the cultural discourse of modern Belgium.
Genre: Non-Fiction > Educational
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